THE HUB. The underground
from Bedford Avenue
Jazz Special, Denmark, May 21, 2001
By Allan Sommer
In these postmodern times the supply is enormously
and the expression are many.
The trio THE HUB are from Brooklyn and they are one of the answers
to a high-energetic gathering of different genres melted together
to one big organic whole. And especially the great gathering makes
it difficult and a little absurd to talk about special movements
in the music of today. As the bassist in THE HUB, Tim Dahl, says
to the magazine Jazz Special, “ I’m the only movement
that I can connect to THE HUB, the movement I see inevery genre
today, the fact is that it is a movement based on communication
and accessibility. It is a very easy approach to a wide variety
of music, so everybody borrows from each other. This opportunity
gives us a possibility of making many musical collages, again concerning
all contemporary genres.”
THE HUB, who besides Tim Dahl, consists of the
drummer Sean Noonan and the saxophonist Dan Magay, have their origin
in the underground scene in Brooklyn. Dahl is originally from Chicago
where the agenda especially is set by groups like Tortoise and Underground
Duo. He thinks that the music especially there is really great,
but that the underground in Brooklyn should be setting the fashion
he finds a little more doubtful. “It’s only one of the
scenes. There are great scenes in Manhattan, especially if you want
a place where it is possible for you to practice. I have read somewhere
that the biggest concentration of musicians exist in Brooklyn, in
fact. Though there are great places to play in Brooklyn, the situation
is still that most clubs where you can play are situated in Manhattan.
There are also a lot of recording studios in Brooklyn, again because
it is cheaper and there are a lot of musicians living in that area.”
It’s is Brooklyn that so many outstanding producers like Bill
Laswell and Martin Bisi have their studios. There’s no doubt
that this area is an inspiring place to begin a musical career.
THE HUB has their practice studio on Bedford Avenue, which is the
longest street in Brooklyn. “Bedford Avenue has it all; everything
from beautiful mansions to urban renewal projects. On top of all
this all the ethnic minorities you can ever imagine are represented.
I have seen everything from cars exploding to lots of beautiful
women, so all in all I can say that it’s a very interesting
place.”
Tim Dahl met Sean Noonan at the University of
Massachusetts in the early 90’s. In 1995 THE HUB found their
final member when they met Dan Magay. Dan had met Sean at the Berklee
College of Music. Dan Magay has among others worked with Clark Terry
and besides playing saxophone is also a perfect classical clarinetist.
Sean Noonan has worked together with the educationalist and the
tenor saxophonist George Garzone and John Lockwood. “I was
so lucky not only to work with Dan and Sean, but also with Archie
Shepp, Stanley Jorday and Yusef Lateef, who by the way still play
with. Besides from this I play in the hardcore group Seige, who
has a faithful group of cult fans, and I also work with the hip-hop
group NYC plus 1. Finally I have a solid background on classical
double bass.” Time Dahls says, who by the way has looks of
a native Indian, but while giving a smile he swears to Jazz Special
that he has Norwegian blood in him. There is no doubt that he is
the most attractive guy in the band.
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